“Favoring a style of country music that owes as much to the band’s native Texas as the genre’s Nashville headquarters, the Josh Abbott Band began taking shape in 2004. While studying communications at Texas Tech, frontman Josh Abbott began making trips to the Blue Light, a club in downtown Lubbock that helped launch the careers of regional luminaries like Cross Canadian Ragweed and Ryan Bingham. Inspired by the rough-and-tumble “Texas country” bands that regularly played the venue, he started writing his own songs and playing them at local bars, using members of his fraternity to form an early incarnation of the Josh Abbott Band. One of the group’s first songs, “Taste,” became a hit on local radio, prompting Abbott to drop out of school, shuffle the band’s lineup, and record their debut album Scapegoat.”
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Josh Abbott Band | Toute la Musique que j'aime
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Break Ya Back feat. Dev – Single – Timbaland | Toute la Musique que j'aime
“Timbaland ascended to the top of the pop industry in the late ’90s, impressively balancing his in-demand hitmaking abilities with his outlandish production style. Few rap producers were capable of such a balance between commerce and craft. Timbaland produced an endless list of hits, primarily for a select group of affiliates (Missy Elliott, Aaliyah, Jay-Z, Ginuwine) though also for a number of other A-list artists (Ludacris, Snoop Dogg, Nas, Justin Timberlake). Even so, he always infused a remarkable… ”
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Stoner's – Snoop Dogg | Toute la Musique que j'aime
“As the embodiment of ’90s gangsta rap, Snoop Dogg blurred the lines between reality and fiction. Introduced to the world through Dr. Dre’s The Chronic, Snoop quickly became the most famous star in rap, partially because of his drawled, laconic rhyming and partially because the violence that his lyrics implied seemed real, especially after he was arrested on charges of being a murder accomplice. The arrest certainly strengthened his myth, and it helped his debut album, 1993′s Doggystyle, become the… ”
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It's Not Right But It's Okay Glee Cast Version – Single – Glee Cast | Toute la Musique que j'aime
“When Glee aired its first episode in May 2009, the TV show only attracted a fraction of the viewers who tuned in for American Idol, which was shown on the same channel just one hour prior. The numbers looked bleak, but Billboard’s music charts told a different story the following week, when the Glee version of Journey’s “Don’t Stop Believing” became a Top Five hit. Performed during the pilot by the castmates themselves, the song eventually sold… ”
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Roger Miller | Toute la Musique que j'aime
“Roger Miller is best known for his humorous novelty songs, which overshadow his considerable songwriting talents as well as his hardcore honky tonk roots. After writing hits for a number of artists in the ’50s, Miller racked up a number of hits during the ’60s which became not only country classics, but popular classics as well. ”
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Artists | Music Entertainment - The Music Entertainment of the 21st Century!
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Best of Banjo Music | Un CD par Jour
“1. Foggy Mountain Breakdown2. Picking Time3. Struttin With Some Barbecue4. Banjo Buck5. Rolling in My Sweet Baby’s Arms6. Trent’s Tornado7. Ruby8. Buck’s Hee Haw Talking Blues9. Waiting for a Train10. Dueling Banjos”
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YouTube - Chaîne de Monsegur Vaillant
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Johnny Winter – Live ~ Johnny Winter | Un CD par Jour
“C’est Johnny Winter au sommet de son art. Le guitariste-chanteur texan en pleine possession de ses moyens. Le musicien, alors âgé de 27 ans, mord à pleines dents dans un répertoire inoxydable et y apporte un lustre, un brillant qui étincelle. Son groupe est d’une unité imparable, autant cette section rythmique qui turbine redoutable que le petit jeune que l’Albinos a recruté il y a peu pour lui donner la réplique à l’autre guitare mitraillette. Rick Derringer tient ainsi la dragée haute au patron à coup de chorus qui giclent comme des geysers d’adrénaline. Un véritable festival entre les deux hommes où Winter a opté pour le passage en revue de quelques classiques grands crus traités en grand écran. « Jumpin’Jack Flash » retrouve tout son éclat, quant à « Johnny B. Goode », il reçoit un traitement de faveur, et à chaque fois, c’est le blues rock qui sort gagnant. Sans prétention et avec brio, voilà l’un des albums live les plus fulgurants des années 70. Qui n’en manquaient pourtant pas…”
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Bossa Nova Soul Samba ~ Ike Quebec | Un CD par Jour
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